The Italian Junkyard

Thoughts, ideas, criticism about cars. Interesting news and facts from the world of the automobile. Events in Italy and Modena. What you can find elsewhere, filtered through the eyes of a discerning enthusiast. Design, style, everything on the chopping block. Nobody is safe anymore.

Showing posts with label Vicenza. Show all posts
Showing posts with label Vicenza. Show all posts

Tuesday, February 10, 2015

Spada Vetture Sport Codatronca TS: a tale of the lost art of aerodynamics, proportions and taste


I mentioned what present day Viotti is doing with its renewed shop, and you might have recognized under the wrap a familiar shape, the Bertone Mantide. No, I'm not going to talk about all over again, it was more than five years ago and even if the little to inexistent success that car has seems unfair to me, it had its time both here and all over the world.

So what's the other connection with Viotti? The Mantide was not the only Corvette-based project they had something to do with, and even if the incriminating picture has been long pulled off Viotti's website, quite some evidences were pointing in the, pun intended, pointy direction of the Spada Vetture Sport Codatronca TS. Such a long name might suggest something entirely different, but there might be some reasoning behind it.

White Spada Vetture Sport simply suggest that behind this venture is none other than Ercole Spada joining forces with his son Paolo Spada, the original concept was unveiled in 2007 under the SpadaConcept TS Codatronca moniker. I've no idea, and somewhat little interest into, what that was all about, but the focus here should be about the second part. Codatronca. Since it isn't even a proper word in Italian, it's hard to directly translate into English. You may refer to it as a fastback, or even as a shooting break, truth is coda-tronca means the tail of the car has been, ideally, cut off, in complete contrast to the boat-tail design of the thirties if you like. Enter one Professor Wunibald Kamm, you might have heard of it.


The somewhat revolutionizing idea of this German gentleman is that without extending indefinitely the tail of a solid object moving into stable flowing fluid, the aerodynamics resistance, drag, met by said solid object wouldn't increase to a noticeable extent. Of course it isn't as easy as it sounds, and indeed you already know that planes do not have a square tail (even those with the engine positioned right on the tail), same as most boat and so on. Without entering annoying and complicated calculations so to keep aerodynamics the interesting subject it actually is, there is a trade off in this chopping of tails and trunks. Something more properly or famously studied by Morel, or Ahmed, with their studies on the slant angles on the tail of solid objects in a flowing fluid.

At this point, you should consider some other German examples, chiefly from the Volkswagen Group, but BMW has been busy on the subject lately, and unfortunately (and misusing the term "GT" too while they were at it). Consider the Porsche Panamera Gran Turismo (full name), or the Audi A7 Sportback. Or even the usual suspect, the Porsche 911 (in any iteration, mind you). You can immediately notice that their profile is quite soft and slowly pointing to the rear end without delimiting a proper trunk volume. The A7 squares it off more abruptly, the Panamera is rounder but in both cases there is no proper end to the tail or to the shape of the car, but the trade off is evident, enter the active rear wing.
Contrarily to common belief, a rear wing doesn't always act as a downforce device, more correctly it is often required to reduce lift on most cars. Slowly decreasing profiles such as those listed above generates the same upwash vortexes as those seen on delta-wing supersonic planes, like the famous Concorde or the Dassault Mirage, that's to say exactly what makes those planes fly. This are basically two cone vortexes, one per each side, generating right at the top of the last pillar and rotating so to literally lift the air close to the car, and therefore to an extent the car itself. More properly explained but still in common terms, the air acquires speed upward, pressure locally decreases, the underneath body (car) is sucked up. So while the drag generated from such fastback design is very low, great for fuel economy, it's quite problematic for high speed stability and downforce in general, which is something on the border between a safe drive and fun spirited drive. You want as much net downforce as possible, or as little net lift as possible, in both cases.


In order to reduce or completely destroy these vortexes, it is sufficient to put a device right before (all those "spoilers" glued on top of the back windows on many small cars, such as the Peugeot 206, or small enges on rear lamps like on most Audi, Mercedes-Benz, Fiat, etc) or after the area involved by the vortexes themselves. At low speed the energy carried on by them is low enough not to constitute any sort of problem so the active wing of the Audi A7 and Porsche Panamera stay in place to increase fuel economy. But once the aerodynamics become relevant the wing pops up and kills the vortex so to reduce the chances to have a reduced weight (as in force of gravity, not mass) on the rear axle creating instability (both in the mathematics and physics sense of the word). The wing itself do not provide downforce per se, but it surely reduces any lift phenomenon. Same for the 911 of course and most other cars with any sort of an active rear wing.

It shouldn't surprise though that such wings are always deployed at 120 km/h or so. Which is exactly the top speed hit during the NEDC (New European Driving Cylce) test, developed to determine the fuel consumption of a consumer car. There is no doubt the fuel economy greatly decreases at 120 km/h, not simply because of the increased required power, but also because of the worsened aerodynamics properties of the car once the wing is deployed. So I'd expect that even if there was some relevant amount of lift (yet not dangerous of course) at 110 km/h, automakers would still program the wing to deploy at 120 km/h just to save the official fuel consumption rating. Shocking, I know.

A quite famous episode is once again related to an Audi, the first gen Audi TT to be precise. In the middle of its production stories began to surface about high speed accidents involving the car, so with some serious consequences for the drivers. Eventually, the design was found at fault, chiefly because of the rear suspension geometry and because of the aerodynamics of the car, in other world because of the lack of mechanical and aerodynamic grip on the rear axle. The suspensions were modified and a fixed wing, rectagular in profile and only a few centimeters tall, was installed, enough to reduce said vortexes to an harmless entity.

Despite the quite dangerous mishap, it must be said Audi marketing department handled the subject rather well. Either that, or most customers have a serious issue with short term memory. That's shocking news as well.


What with the Codatronca though?
Simply put, Ercole Spada made its trademark out of the Kamm tail, most famously in the Alfa Romeo Giulia TZ and Giulia TZ2 while working at Zagato, both showcasing an abruptly cut tail but nonetheless achieving great performances and fame. Zagato then revived the idea with the Alfa Romeo TZ3 Corsa (based on the Belgian Gillet Vertigo, which already featured a Maserati 4.2 liters V8 engine) and Alfa Romeo TZ3 Stradale (based on the Dodge Viper SRT-10 from 2008, with its 8.3 liters V10),

As for the modern SVS Codatronca TS, it's based on the Chevrolet Corvette Z06 (or simply Corvette Z06 as it was briefly known in Europe). With the drivetrain slightly tuned to 630 bhp (vs 507 bhp in standard form) and the chassis completely unmolested, all its most relevant changes are focused on its exterior, and interior, at least from my point of view. So forgive the unforgiving almost-track-only sport tires fitted on it.
While I immediately licked the fresh approach of its general design, the out of the chorus tail and the clear hints to the most famous stealth bomber, the Lockheed F-117 Nighthawk, I felt a little underwhelmed by the car itself in the flesh. A lot had to do with the proportions not being so elegant, a way too long and flat front clam with a tall and angular tail, a perceived finish less than exiting (even if I couldn't name one specific problem with it, as the car was probably completely ok), and some design decisions worth some more discussions.
Surely the metal-look (and if it was metal indeed I can't remember, but I do remember it didn't look the part) frame around the windows didn't help, and the uninspired and edgy interior wasn't of my likings, raw and without an apparent unique them or idea, same for the generalist aftermarket wheels from OZ.
According to Paolo Spada they had made two cars in 2010, the one here depicted belonging to himself, and another for a customer. Truth be told I don't think I've ever seen a picture of said customer car, but the world is full of greedy collectors hiding their gems to spying eyes.


Later on in 2011 they unveiled the Codatronca Monza. Essentially a track-only speedster variant of the Codatronca TS, it felt even larger and the unfinished, because racing, interior didn't help at all. A road going car was even spotted with safety bars worth of an emergency check up with your loyal optometrist. And that was the end of it.

It may seem like I have no love for the car. Well, I had decent expectations and was let down, plus I later realized they were quite late on the military jet fighter bandwagon (hint, Reventòn), but I can't help but feel for yet another unique take on the automotive passion and the vision some men are still willing to put into their four wheeled creations. That, and the full on price of "only" 180.000 € seemed like a bargain. Definitely much less than the 2 Millions € asked for the Bertone Mantide (well, that was a Corvette ZR1 to be fair...), which itself didn't sell well... they actually sold only the one car the produced.

What does this say? No more room for special vehicles with outrageous prices? No, definitely not. It's rather something along the line "it has to be flashy, recognizable, and famous", which is why a lot of tuning companies are flourishing around the world and in emerging markets (Mansory, what have we done) while bespoke and specialized shops like SVS or Bertone itself are struggling to sell or survive at all. Because let's face it, the Codatronca TS may not be a beauty in itself, but it's better than a pimped Ferrari with blot on (or glued on) psuedo carbon fiber parts with little to no functional reason to exist and engines tuned without the slimmest chance of proper tests.


But that's the world we live in, until I release my own octa-turbo-supercharged carbo-flying-uranium megagigawatt hypercruiserGT (tradermark, hands off). In the meantime, enjoy what Zagato has to offer while it lasts.

ll Watermarked Pictures and Words Copyright: Damiano Garro for The Italian Junkyard
Other shots copyright: Spada Vetture Sport
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Monday, February 24, 2014

... with my bare hands: Filandi Uragano


There used to be a time when we were much more ingenuous about the world and ourselves, more inclined to put ourselves at risk for the sake of curiosity and discover. It probably felt like we were free to roam the world while at the same time enjoying the latest and best in technology, with more news traveling around the world as never before and that probably let more and more people to feel the need to leave their mark in some way.

That's a way too see the almost itch-like resurgence in activities of all sort that took place in Europe after World War II and elsewhere too. While many ended up creating their own companies setting the market on fire, others were more satisfied filling their everyday life whit something perhaps less ground breaking or necessary, but much more personal. Backyard projects were all over the place.
We've probably lost this in the last 10 or more years, I feel like people are quite satisfied with what the market provides as it surely got better and better, but also because it's much simpler to just pick something rather than "making" something. Mark Wahlber would say "Don't be a don't-er, be a do-er". Well, he kind of crossed the line, but you get the itch-like feeling of really needing to do something with your time, right?

While this could be the introduction prologue to many companies established between the 60s and the 80s and probably even later, if you consider software companies real companies in the same old fashioned way of course, the man I'm going to introduce is one who could be considered as one in dire need of a backyard project, a man who didn't embrace what came next, full size companies, computers, mass production and all of that.


Enter Moreno Filandi.
You'd be forgiven to mix him with Santa Claus bringing you a bright yellow hand made exotic, indeed when we took the time for a long conversation this man showed the same placid and quite temper it would take to deliver gifts and presents to little kids all over the world, or build a car from scratch with nothing other than his bare hands and tons of aluminum and steel chunks. I could do the latter, definitely not the first.

While Italian readers may already know the low metallic beast in front of their eyes, I guess people from the rest of the world may be clueless in front of this car. This is the Filandi Uragano, a car that took more than 5 years to be completed, between March 2004 and November 2009.

The proud work of his creator, it was sculpted rather than built, with no aid from a computer or any other modern techniques. You could well say this is a one-off, a unique car, as there are no blueprints and even if you could convince Mr Filandi to build a second car, it couldn't be like this one.
The power comes from an Audi-sourced V8 turbocharged for good measure, but the chassis is custom made in chrome-molybdenum steel. The bodywork is all aluminum. as most of the car too. Eventually, it tips the scale at 1.160 kg, and with 605 bhp and 552 Nm of torque providing motivation, it must be a hell of  ride.

 

Now I've read many times hard comments about its look, and I'll admit that it isn't for the faint of heart, it doesn't flow like a Pininfarina design or it doesn't strike as something modern yet cohesive as something from Mercedes-Benz, McLaren or any other Nordic company. At the same time, it's not supposed to be, as it was built by his creator for his own appetite for something unique and personal, very personal. We found out that Mr Filandi takes great pleasure in creating and forging just about everything out of aluminum, from cars to furnitures and design elements, be he doesn't look so interested in selling them. What he seems to care about is a spark in the visitors and bystanders wishing to do something as personal as he did. There is no price tag on this car, no bragged abilities about its construction and he isn't even really advertising his body shop Carrozzeria Moderna in Fontanelice, between Imola and Bologna (where else?!). Just ask him about his car, why he built it and what it takes to do something like this, and words will start to flow. He is a man of passion and he's just looking forward to share it. No elitist attitude, just a nice chat with an old friend at the bar.



There is a nice anecdote about this: in September 2010 he was invited at a new uber-elitist car fair organized by MAC Group, which is also behind the Mille Miglia historical recreation. Called "Uniques, special ones", the fair was about extremely low production cars and one-offs, both from the good old days and from the present, so you could expect anything from Alfa Romeo from the 30s, Ferraris from the 60s and 70s, and whatever Bertone, Zagato, Pininfarina and other coachbuilders came up with in all their years, plus some modern exotics. Held in the luxurious Four Seasons hotel in Florence (Tuscany, Italy of course) the public itself had to be invited, so I guess they had to come up with something like VVVIP for the most aristocratic ones. Eventually, the Filandi Uragano won the "People's Choice Award".


While Mr Filandi was all over himself and proud of his 5000 hours of hard work, the organizers were probably less than pleased, as they eventually reached Mr Filandi and let him know the prize was being retired without giving much of an explanation. Of course now he didn't look like Santa at all.
I felt like the MAC Group was indeed pushing hard on the elitist thing before, simply considering the way the Mille Miglia was run (organization wise) and even the simple process of media accreditation was getting like a showing off contest. So I could really understand his frustration, but also figured that was really not the place for him, unfortunately. Now the Uniques fair has moved to Moscow, so problem solved.


At this point I wondered what he was looking for at the various fairs I met him. While kids and youngsters are captured by the bright yellow and blue finish and the aggressive shark-like vents in the body, adults, deep-pocket white collars and wannabes in general didn't waste much time to check the car or the man. Truth be told, they were the same kind of people overlooking the equally eye-catching Spada Vettur Sport CodaTronca parked next to the Uragano once, another bold and peculiar creation. I reckon not everyone is into cars and even less into un-mainstream cars, then again, if you're at a car fair...

These pictures come from two separate occasions: the Luxury&Yachts 2010 fair in Vicenza, Italy, and the 2013 Modena Antiquaria fair in Modena, Italy.

He has now moved on to a second project, named Filandi Ever.S, which will be featured here soon. Watch this space for more.

Quick preview:



All Pictures and Words Copyright: Damiano Garro for The Italian Junkyard
This article can be linked to from other websites but its content and the pictures can't be reproduced on any other website without my written permission


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Sunday, July 12, 2009

6.1 Salone Internazionale del Lusso - Vincenza



Back in March, the “Salone Internazionale del Lusso di Vicenza” was on.
It's a small and a bit weird exposition about luxury. Everything from jewelry to home entertainment is featured, but it definitely lack of a proper organization, things weren't divided into sectors, and a lot of stuff was just there, not really exposed, with approximative stands, bad lighting and so on.
What definitely pissed me was a 20 € ticket to enter an event worth about 7 or 8 €.
It wasn't featuring brands and manufacturers' official offerings, but rather local stores, representatives, dealers and such. The people walking around the event were probably the worst part, but, whatever, I was in.

So, all in all it was a very bad event and I missed those 20 € for a while, but since I'm a car enthusiast, there are things that are simply priceless: a Pagani Zonda S Roadster and both the Antas and the Vulca S from Faralli & Mazzanti should do the job.

Follow the jump to know more.

I actually went to the show right to see the Vulca, as it was it's world premiere, after the obvious web unveiling with some images released.
Even if it was an official and important occasion, there wasn't much to say that was actually a premiere. The car was simply there, with a couple of brochures on a small table, a basically that's it.
I was expecting a bit more, even if that wasn't by any means an auto show.
I'm going to “celebrate” this and other main features of the event on dedicated posts.




I didn't even take shots of the other exhibited stuff, as they weren't neither that luxurious or good looking. Even my girlfriend didn't satisfy her fashion appetite at the event. It was more of a show for “wannabes” than for really rich people.
Proof:



Guess what, Top Marques is in Montecarlo, not Vicenza.
A white Aston Martin Vanquish S abandoned in a white corner isn't a bad thing though.




Don't ask me why, but here is a 1952 Cadillac Four Doors Sedan Golden Anniversary too, and next to it, tuned cars! As I told you, taste wasn't featured.
Those are a LUMMA Porsche Cayenne CLR 550 R, based on the Cayenne GTS, and a Mercedes-Benz SLK mark2 whit scissor doors and some other tasteless bits. Jesus.




A gray Lamborghini Gallardo Spider was there just to show you how good looking it would have been to match it to that not really intriguing wooden parking space. Since I'm not a Gallardo fan, I don't know if it was the car or the wood to have been wasted there.
Some other cars were there thanks to a couple of dealers and a renting company.
I couldn't bother to shoot those average BMWs and Lexus', not for the car themselves, but for the environment. Too many tacky persons around me make me nervous.
I liked the angle of the BMW Z4 Coupe shot though, and here it is.



A local dealer, specialized in importing kit cars from other countries exhibited some AC Cobra and Porsche 356 Speedster replicas.
Specifically, those were two Shelby Cobra 427 S/C, continuation series CX 4310, both of them.
It was an odd but welcomed feature, still the impression of being at a job fair rather than to a luxury show was strongly present.
Together with them there were these two 356 Speedster replicas, made by Racing Legends, Las Vegas. This replica is also available in wide body style, resembling more of a got rod rather than a vintage Porsche. Fortunately, these two units were pretty stock, quite resembling the original icon.







The Maserati stand was the only one worth being called so, despite being organized by another local dealer and not Maserati itself. Apart from having three cars (two Quattroportes and a GranTurismo), there were also little plates to showcase the available colors and material both from the outside and the inside of the car. It was the only place where I got the impression something was actually exhibited and not simply “positioned” in the middle of a free space.
If I was in the market for a new car, there I would have been interested in asking something more about them, given I don't know about them already, while all the other cars didn't look like they were available for sale, but rather as objects grabbed out of a collection, and shown for the sake of it, without underlining some sort of artistic feature, or design approach.
Oh well, here are the pictures:





I also new there should have been a Pagani Zonda somewhere, but couldn't find it. We asked to another exhibitor (which in turn gave us a magazine about second hand sportscars) to find out It was featured in an area no one knew where it was.
Disappointed we decided to left the show, slightly pissed off.
While looking for the exit, you were force to enter a corridor jut to enter another area of the show. I didn't know if the Zonda could be there, but the first thing I got in front of me was the first Faralli & Mazzanti Antas.
The car went trough various updates since its unveiling in 2006. Now it seems to be a bit overdone, but I'll talk about it later.
The nice feature of this area were the lights changing their color, giving the opportunity for some suggestive shots.
Ignore the classy damsel in the first shot, she wasn't an hostess of some sort, just one of the audience playing the “Hazzard features Jessica Simpson” game for her friends...




Between a red urinal covered with fake sticky diamonds and other uber-tacky-freaking-expensive stuff, there was this vandalized Ducati Desmosedici RR: note the absent rear light, even if I hope it was removed before of the event as the rear view mirrors were absent as well. Next to it custom trike bike, what a perfect match...



Matt Porsche 911 Targa, for the sake of personalization.



Audi R8: never liked it, it was a bit invisible because next to it there was the Zonda I was looking for. I have to admit I didn't pay enough attention to it, the F&Ms and the Zonda were on a completely different level, and this was so, well, cheap and simple.
Even the otherwise banal and even a bit soccer-player friendly Porsche 997 Turbo Cabriolet was more interesting, even if maybe it was just because of the less common dark gray instead of the usual and boring plain silver, or maybe I liked the color of the lights behind the Porsche the more. Yeah, probably that.





And here it is once again the Pagani Zonda S Roadster, chassis #76048 (thanks to the folks at http://forum.pagani-zonda.net/ :) ), which I saw also at 2008 Modena Terra di Motori, during my factory tour back in 2008, and which a friend of mine spotted in Padova (or Padua for non Italian users) in summer 2008. More of her will come in the future.




So, are three extremely rare cars worth a rather banal, boring and 20 € expensive event? Yes, but only if you are me, other than that, avoidable.
Extra shots: a rather good and extremely ignored pianist in the middle of the event, and a mandala being created by some Tibetan monks...yeah, Tibetan monks at a luxury show.



I'm fully aware that some pictures aren't of the best quality, I was still practicing with the Nikon D40, and probably I still am.
Hope you enjoyed them nonetheless.

All images Copyright: Damiano Garro
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